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SMARTHINKING Writer's Handbook

Chapter 4, Lesson 2

Consistency of Tone and Voice


 

Objective

In this lesson, you'll learn about the differences between voice and tone and learn why an inconsistent tone undermines an essay's effectiveness.

Voice, Defined

When we talk about a writer's voice, we mean the qualities of his/her writing. These qualities, which distinguish one style from another, come from the writer's decisions about the subject matter and how s/he uniquely uses various writing methods. In many ways, a writer's voice is like a personality, although it might be distinguished from the writer's actual, non-writing personality. If you study many works by one writer, you will begin to notice certain habits--perhaps the writer writes in long sentences or uses a lot of figures of speech or semicolons. Combined, these stylistic habits produce a voice-an individual writing style that is like no other. When teachers urge writers to find their own voice, they are suggesting that students play with style until they reach and polish their own individual method of articulating ideas and feelings on paper. Studying style-both your own and other people's-will help you find your voice. One very important element of voice is tone, the subject of this lesson.

Tone, Defined

Imagine this scenario: you have just cleaned the entire house for your parents. You've picked up old magazines and dirty dishes, dusted, vacuumed, and even put air fresheners out. Your mother crosses the threshold from the front porch to the living room after a long day at work, and, looking around, says, "I just can't believe this!" Your mother's tone will convey pleasure; your sense of this pleasure will be reinforced by the sound of her voice and a gesture of some kind: she'll smile and probably even hug you. But what if your mother came home earlier than you expected, before you had time to clean up a big mess you'd made? She could use the same words-"I just can't believe this!"-but would communicate something very different in tone. Her facial expressions, other bodily gestures, and the pitch and volume of her voice would communicate this difference.

Tone, as it is talked about in reference to written English, means the same thing or very much the same thing as it does in reference to spoken English. Like style, it refers to the way something is said as opposed to what is said. The term tone describes the attitude a writer communicates about himself, his audience, and his subject. But because writers usually are not with their readers while they're being read and can't add gestures and body language to the meaning of their paragraphs and sentences, their tonal cues must be clear in their writing.

A writer's tone is determined by the choices she makes at every level of the writing process-by her word choices, her point of view choices, her use of syntax, and so on. The tone you want to use (or achieve in the revision process) will be determined by the purpose of your writing project and your intended audience. Academic essays generally require a more formal tone unless they are personal narratives. While the conventions surrounding such essays may require you to avoid the use of contractions (can't, won't, wouldn't, etc.), slang terms, and other elements more appropriate to the plain style, they do not require you to adopt an unnecessarily unclear or convoluted style. Some students believe that using complicated syntax and multi-syllabic words will make their essays more sophisticated, and thus better. As we'll see in Lesson 3, Word Choice, writing this way is not only unnecessary, but also a violation of the ethic of clarity that marks good style.

On Being Consistent

There are certain choices you must make before you begin to write an essay. One of them concerns your tone. Your essay's purpose and audience will determine your tone, so, while it is not always necessary to write an outline before you delve into your subject, you should have some sense of what your purpose is and audience is.

An inconsistent tone will undermine a writer's authority. In every case, no matter what you are writing, you'll want to communicate some sense of authority over your subject matter. In a research paper, your authority will come from how well you are able to express the knowledge you have gained about your topic. Thus, your use of quotes from outside sources will reinforce the energy you have put into gathering information, which will, in turn, reinforce your credibility. Still, too many quotes in such a paper will communicate a lack of interest and knowledge in your subject: they'll imply that you're choosing to have others speak for you because you don't want to (or can't) speak for yourself. In an informal essay, your authority will come from your sincerity, or from how well you convey your willingness to share your experiences with your readers.

Let's suppose you're writing a paper about William Faulkner's "Barn Burning." There are conventions that guide the writing of such a paper, as we discuss in Writing About Literature. You probably will begin your paper by abiding by these conventions: you introduce your topic early on in the essay and avoid the use of contractions and informal words in order to maintain a more formal or academic tone.

If you alter your tone in your second paragraph, you will undermine your credibility as a critic, as this example shows:

I thought William Faulkner's "Barn Burning" was really good. It made me want to jump up and shout, something I wouldn't normally do, as anyone who knows me will tell you.

It is common to shift tone in a variety of ways during the drafting process. However, once you understand your purpose and audience and the various conventions that guide us as we write, you'll be able to revise toward a consistent tone of voice. This first example confuses the essay's purpose by moving out of the third person into the first person; this shift in point of view choice focuses too much on the writer's response to the text and too little on the text itself. It seems to avoid the subject and it undermines the writer's credibility by straying too far from the essay's intention. Here's a revised example:

William Faulkner's "Barn Burning" is about a small boy at conflict with himself.

This revision is an improvement because it maintains the third person point of view, which in turn reveals that the subject of the paper (Faulkner's story) is the topic at hand

On the other hand, if you're writing a personal essay about an experience that changed your life in some way, it's not only appropriate for you to use the first person and to choose more informal words-it's probably preferable. This is because personal essays have a different purpose than academic essays: their intentions are to communicate experience through the filter of self or personality. If you stayed in the third person in a personal essay, you might even run the risk of seeming aloof or standoffish, which would, in turn, make your readers mistrust your sincerity.

Exercise

In the next few lessons, we'll discuss other techniques writers use to define their tone, but first try to determine the tone that is being expressed in the following examples. Is the writer adopting a formal (eloquent) or informal (plain style) tone? Is the writer's implied audience public or private? Does the writer seem to care about his or her subject matter? Compare your descriptions of the tone in the following examples to ours.

Everyone in this part of Virginia likes to go around shopping for antiques, don't ask me why.

It is imperative that the committee resolve the company's conflicts.

Sometimes you learn a lot when you fail to do something you set out to do.


Summary

When we talk about tone, we mean the attitude a writer communicates toward her subject and audience. Your tone will be determined by a number of choices. An inconsistent tone is one that fails to focus on a writer's purpose, or shifts between levels of style, point of view, word choice, and so on.

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